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Bear World Magazine – The QueerCentric: fun, forward, forthright talk!

The QueerCentric is exactly what the LGBTQ+ community needs, according to Producer and Host Jonathan Shuffield.

We grabbed a few minutes during the release of his body positivity holiday campaign which kicked off on December 12th, to get a peek into his thoughts about why we need it!

I asked Jonathan why another podcast is needed, and he said: “because the more queer voices and the louder we raise those voices, the better! In a world hellbent on erasing us, we MUST speak and NOT just for the version that settles better in middle America, but for all of us. Every body type, no matter how we identify ourselves, every letter of our queer alphabet and beyond!”

Jonathan went on to say, “Representation matters! Media has finally begun to show queer people in the tapestry they portray as life, but we still have a way to go. The QueerCentric stands to offer a voice to the rest of us, to represent a queer world not so homogenized. We do not want to take away from the version of us that is currently allowed the spotlight, we simply want to add to it. Instead of waiting for permission, we choose to boldly move forward creating our own path. We celebrate all of us, the rest of us…. because there is room for everyone. Sometimes you just have to make the room yourself. This show is about real people, real community members talking about the things they care about. You don’t have to be a celebrity to be heard, but you can be. You don’t have to be a politician to affect change, but you can be that too. Every walk of life, every human being deserves a voice and when they sit down with me, they get just that. Entertaining and frivolous at one point to serious and informative at the other. It’s time to stand up and be counted as the authentic human beings we all are”.

The QueerCentric releases every Tuesday in audio AND video formats at www.thequeercentric.com

Watch out for TQC’s live events and film productions! Join the movement, www.thequeercentric.com

Visit Bear World Magazine for more exciting, entertaining and bear loving stories:

The QueerCentric EP16: The Supremes, Hateful Apps, and A Bit of Hope


Join us in the Salon with Dave McMillin and Barb Silvey as we get riled up and passionate about this weeks topics.  Don’t miss our latest sketch either, Tom Campbell and I have too much fun.

Dave McMillin                                           Barb Silvey

The QueerCentric is the companion podcast to the popular digital magazine of the same name (www.thequeercentric.com ).  This is a place to go beyond the pages, to talk about what is happening around us and to have meaningful conversations about the World and culture as it affects the LGBTQ+ people.  The magazine was only one step in uncovering our voices again.  It is important to step up and speak out, for as the World has proven, we cannot afford to be silent even for a minute.  Who said we can’t have fun along the way!

Cinephile: She Said

Plot: “New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation – a story that helped ignite a movement and shattered decades of silence around the subject of sexual assault in Hollywood.” -IMDB 

Review: I am biased. I have a bachelor’s degree in broadcast communications and grew up idolizing the lions of the field. I also freely admit that I can over romanticize films where investigative journalism is the subject. With that out of the way, let’s review!  

Some of my favorite movies are All the President’s Men, Spotlight, and The Post. In my estimation, these films are nearly perfect. I would add “She Said” to that mix. The story it tells about the work to expose Harvey Weinstein is harrowing; truthful about the dead ends, respectful of the dedication, and honors the bravery of the women who came forward. 

Films such as this all share the same monumental challenge. We as the audience know how this story will end. As filmmakers, how do you pull back the curtain compellingly that stays truthful to the process, honors those doing the work, injects enough drama to keep people hooked, and tells an honest story? She Said rises to meet these challenges with a story that instantly enthralls and never lets go.   

At the end of this story, a culture of sexual harassment and assault, reaching from Hollywood to Wall Street and every industry in between, meets the light. While this story centers on the cruelty of Harvey Weinstein, the impact of the original New York Times article spilled over and exposed the Harveys of the world. As an audience, we understand the impact of the story, but what about those other challenges facing a story such as this?  

Brilliant performances from Carey Mulligan as Megan Twohey and Zoe Kazan as Jodi Kantor anchor this film. Watching their performances, it was apparent to me that both actresses had done their homework. They spent time with reporters and had a solid grasp of the long game that is this type of reporting.  

This film is also cognizant of the toll of bringing truth to the light. It never loses sight of the bravery it took for women to come forward. It also honors those who couldn’t truthfully tell their story for fear of retaliation or harm.  

Next, this film is honest about the work. Investigative journalism is a profession mired in dead ends. A reporter’s ability to hold a complex web of details together defines the work. As does their ability to build a case, work with sources, and the talent needed to pull everything together in a story that readers can easily digest. I think this film is also truthful about competition and the desire to break a story first.  

In the end, great journalism takes dedication. In almost every scene of this movie, the filmmakers honor that dedication. But they also honor the stakes. Reporters are not robots. A story such as this can take its toll and is not without consequences. Both Mulligan and Kazan place us firmly in the shoes of the reporters who broke this story. Their setbacks will be yours, as will their heartbreak. This is necessary for us to fully appreciate when everything falls into place and hitting “publish” is all that remains.

This story follows a familiar procedure and formula. Some might see that as a strike against this film. I don’t. The formula works well for me, because of the truths exposed along the way. Some other future film might need to break the mold, but the tried-and-true method of storytelling works well here.  

In closing, I see how audiences reacted to this film. Box office numbers don’t lie. They also tell a story. People may be over the #MeToo story, but the impact of the movement is still making waves. I think it is important to understand how we got here in order to chart a different path.   

Be good to each other,

Nathan

Visit Nathan at

Cinephile: The Banshees of Inisherin

Plot: “Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them.” 

Review: Starring Colin Farrell as Padraic and Brendan Gleeson as Colm, The Banshees of Inisherin is one of the darkest and funniest movies I have seen this year. In its dark and twisted sense of humor, there is also a story with a lot of heart that I found profoundly moving.  

With the transitions of life, comes a harsh realization: Some friendships have expiration dates. This natural cycle of life can happen for a multitude of reasons. Interests change, friends move, kids complicate everything, romantic relationships even more so, or perhaps the thing that brought two people together grows old or stale.  

In this film, it does not take us long to uncover the reason Colm is no longer interested in a friendship with Padraic. Colm is doing what we all do in our lives. We become fixated on the little time we have left on Earth. Looking around, we attempt to measure our legacy and what we will leave behind. For Colm, after this introspection, he makes the tough decision to part ways with anything that is not bringing his life value or contributing to the legacy he hopes to leave behind.  

For Padraic, none of this makes sense. Searching inward, he is first consumed with his own personal failings. Deciding he is a decent person; he gives way to anger and betrayal. Because Farell plays this role so convincingly, you cannot help but feel his pain. You cannot help but feel his rage.  

When he finally disconnects from the reality of the situation, Colm serves an ultimatum. For every time Padraic speaks to him, he will sever one of his fingers from his hand and deliver it to his door. It does not take us long to realize that he is serious. While I will not spoil the lengths of his seriousness, I will say, for me, this is where this film becomes the most dark and hilarious film of the year.  

In the silence and violence of an escalating war between friends, there are many lessons to be found in this film (despite the maddening lengths these men go to make their respective points). We will all question what will remain after we are gone. Almost all of us want to leave something that lasts longer than our name. For me, none of that matters without good friends standing by my side. Despite Colm’s arguments, wonderful friendships can also be a legacy. From there, all other gifts left to the world settle into second place.  

Be good to each other,  

Nathan  

Visit Nathan at

EP 15: Wednesday, Cruising, & Marriage | The QueerCentric

 


Welcome to the Salon with special guests C.S. Lawrence and Chris Jessop! We chat it up about the Netflix show Wednesday, fake controversies, hate speech in the U.K. and there’s a fun new skit in there!  Oh and Jonny and Tom are there too!

C.S. Lawrence

Chris Jessop

 

The QueerCentric is the companion podcast to the popular digital magazine of the same name (www.thequeercentric.com ).  This is a place to go beyond the pages, to talk about what is happening around us and to have meaningful conversations about the World and culture as it affects the LGBTQ+ people.  The magazine was only one step in uncovering our voices again.  It is important to step up and speak out, for as the World has proven, we cannot afford to be silent even for a minute.  Who said we can’t have fun along the way!

EP 15

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Welcome to the Salon with special guests C.S. Lawrence and Chris Jessop! We chat it up about the Netflix show Wednesday, fake controversies, hate speech in the U.K. and there’s a fun new skit in there!  Oh and Jonny and Tom are there too!

C.S. Lawrence

Chris Jessop

 

The QueerCentric is the companion podcast to the popular digital magazine of the same name (www.thequeercentric.com ).  This is a place to go beyond the pages, to talk about what is happening around us and to have meaningful conversations about the World and culture as it affects the LGBTQ+ people.  The magazine was only one step in uncovering our voices again.  It is important to step up and speak out, for as the World has proven, we cannot afford to be silent even for a minute.  Who said we can’t have fun along the way!

 

The QueerCentric: EP14 The Usual Suspects PLUS Spiders, Sharks and Snakes

Emmett Edwards

Corey Fortune

The QueerCentric is the companion podcast to the popular digital magazine of the same name (www.thequeercentric.com ).  This is a place to go beyond the pages, to talk about what is happening around us and to have meaningful conversations about the World and culture as it affects the LGBTQ+ people.  The magazine was only one step in uncovering our voices again.  It is important to step up and speak out, for as the World has proven, we cannot afford to be silent even for a minute.  Who said we can’t have fun along the way!

Bear-y Christmas! Tom Goss Ushers in a Big Fat Gay Ass Christmas

By NOEL HOFFMAN

Much of Tom Goss’ youth was spent focused on his studies and on wrestling. He says he didn’t feel much in the way of sexual and emotional desires growing up. In fact, he didn’t go on his first date until he was 22, while in seminary, training to be a Catholic priest.

That was when Tom realized he did have an appetite for sex, only it wasn’t towards women or even the men that society deemed as handsome. His attraction was toward plus-sized furry men.

Many of his biggest pop hits today are odes to them, and his latest album, his first holiday ep, pays homage to the world’s biggest and most famous papa, Santa Claus. The album is called Big Fat Gay Ass Christmas and it includes spirited songs like “Santa Slay,” “Put that Ass in Christmass,” “Sassy Santa,” and “Ho Ho Homo.”

Joining Tom on the EP are some of the biggest names in gay hip hop, gay rock-and-roll and gay country music. His frequent collaborator, de ROCHE, appears on “Ho Ho Homo,” bringing the song to life with vocals that sound like a group of carolers on a doorstep. “De ROCHE and I have been making music together for over a decade,” Tom says. “I want her to be a part of everything I do until the end of time.”

Benjamin Koll sings on “Sassy Santa.” Tom admits to having a huge crush on Benjamin. “I love the joy and positivity he brings to the bear community,” he explains.

Tom Goss’ hope is that Big Fat Gay Ass Christmas makes people laugh and smile, then strip down to their undies and dance. “That’s the Christmas I’m most looking forward to this year!” We sat down with him in his Los Angeles home.

How did you land on the name Big Fat Gay Ass Christmas for your holiday album?

Tom Goss: I really wanted to write something that was fun, celebratory, queer, and unapologetic. Big Fat Gay Ass Christmas hit all the markers.

Though the EP is tongue-in-cheek, there seems to be a serious side to the record.

Tom Goss: I have spent a lot of my life censoring myself. Censoring what I say, what I write, how I dress, what my music sounds like, and so much more. It’s been a constant state of second-guessing, carefully carving out a life that is unoffensive, in hopes that everyone will love me. But that’s not real.

Is Christmas your favorite time of the year?

Tom Goss: I love Christmas but truthfully, I like all seasons. I don’t really have a favorite. I’m generally pretty happy and excitable in my day-to-day life. I’m really just happy to be here.

What’s the best Christmas gift you received from Santa?

Tom Goss: I got a Nintendo one year! The original NES. That was amazing! I spent many long days in the house playing Mario, Zelda, and Mortal Kombat.

Growing up, did you have a favorite Christmas carol?

Tom Goss: I always liked songs that were modern. Songs that were more “Christmas adjacent” than “Christmas carol.” Paul McCartney’s “Wonderful Christmastime” was always a fun one!

How do the songs on Big Fat Gay Ass Christmas compare with “Wonderful Christmastime”?

Tom Goss: Sonically, they are very different, however, they are similar in that they look at Christmas through a modern lens. They take modern experiences and turn them into song.

Do you have a favorite on the album?

Tom Goss: Honestly, it’s hard to pick. Depends on the day. Each song on the record is so different, and perfect for a variety of moods. Every song makes me smile, and for me, that’s the most important thing.

How did you assemble all the gay celebs for this album?

Tom Goss: I’m grateful to have collaborated with so many artists over my sixteen-year career. Because of that, I had a lot of these folks in mind while writing the record. Once I made the demos, I reached out to them and asked if they might like to be involved. Luckily, they were all into what was being created.

Who will you celebrate the holidays with this year?

Tom Goss: I haven’t decided yet! I’d like to see my family but they’re so far away. I’ve been traveling for shows a lot lately and the idea of staying home seems mighty appealing.

What is your New Year’s wish?

Tom Goss: Hmm, I guess health, happiness, and balance. That’s typically what I’m striving for.

Tom Goss’s Big Fat Gay Ass Christmas is available on Apple Music, Spotify and all major digital platforms.

Click to listen on Soundcloud

Photo Credits to Feature article image by Dusti Cunningham with Album cover

The QueerCentric EP 13: VOTING ReCap, Hot Politicians, and Is Florida still part of the U.S.??

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Corey Fortune

Ian Sullivan

The QueerCentric is the companion podcast to the popular digital magazine of the same name (www.thequeercentric.com ).  This is a place to go beyond the pages, to talk about what is happening around us and to have meaningful conversations about the World and culture as it affects the LGBTQ+ people.  The magazine was only one step in uncovering our voices again.  It is important to step up and speak out, for as the World has proven, we cannot afford to be silent even for a minute.  Who said we can’t have fun along the way!

Cinephile: The Player Review

Plot: “A Hollywood studio executive is being sent death threats by a writer whose script he rejected, but which one?” -IMDB 

Review: There have been countless movies about Hollywood and the business behind all the glitz and glamour of the big screen. No film has been as hyper aware of that fact as The Player starring Tim Robbins as Griffin Mill and a cast of characters and cameos that could fill this entire page.  

Beyond the business of making movies, this is also a mystery. See, a disgruntled writer is sending Griffin threatening and ominous postcards. Why? Because Griffin promised him or her, he would get back to them on a pitch and never did. This plot coupled with this film’s examination of what it takes to make motion pictures move together in a delicate dance that is both hilarious and fascinating.  

As Griffin assembles the clues, the harassment, flow of business, and hustle, it requires holding everything together only intensifies. With someone in mind, Griffin crosses a line which cannot be uncrossed. Working to cover up his unspeakable act only ramps up the anxiety he is feeling at home and at work.  

There is no rest for the wicked. Pitches and pictures must continue to be made. With business never seeming to end, we watch Griffin’s personal torture grow. As this film enters its third act, we wrestle with Griffin’s guilt, questions about his future, and whether he even got the right guy.  

Zooming out further, we realize all the tropes, signs, and elements of this film want us to see. This movie wants us to poke holes in the way Hollywood does business. It wants us to see the pitch process, the recycling of ideas, the blame when movies fail, and the ridiculousness of it. When you finally realize this is a movie within a movie, everything before it clicks and makes perfect sense.  

Be good to each other,  

Nathan  

Visit Nathan at

 

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